It wasn’t those sensational aspects that most interested Stone, however: He wanted to explore complex domestic dynamics with a couple who had their own history. But for the couple, that tension takes on a particular gravity when the story arc involves infidelity and murdering one’s children. There’s a frisson in watching two actors mimic a version of the relationship they actually share-Jane and Henry Fonda in On Golden Pond, Emily Blunt and John Krasinski in A Quiet Place, Will and Jaden Smith in The Pursuit of Happyness, Cannavale himself on Nurse Jackie, playing a father to his actual 24-year-old son, Jake, whose mother is the award-winning screenwriter Jenny Lumet, Cannavale’s ex-wife. Besides the dark aspects of Anna’s character, the lead roles push Byrne and Cannavale, as co-parents themselves, toward an uncanny valley. “She had a little bit of paranoia around the impact it would have on her psyche,” says Stone. But that’s why I’m doing it, you know?” (Though Byrne wears two bands on her ring finger and calls Cannavale her “husband,” their representative informs me that they are not legally married “as of yet.”) And it’s historical, it’s mythological, it’s also current-working with my husband…. “That role is in the canon of the greatest roles for women ever written. I’ve never done anything like this in my whole life,” she says. “Plus, they’re both kind of universally loved.”īyrne’s apprehension was more existential. “The chemistry between them, it’s just so remarkable,” Glenn Close says. Indeed, one would be hard-pressed to think of a romantic partnership with such fruitful onscreen output since Taylor and Burton. A fight, a smooch, a sleepy airing of grievances side by side in bed. They even played a married couple on the rocks in the indie comedy Adult Beginners: Cannavale’s character sitting beside Byrne’s during an ultrasound appointment, Byrne’s character telling Cannavale’s “I lah you” through a mouthful of toothpaste. Recently, they were lovestruck beasts in Christopher Weekes’s short Martha the Monster, and in one episode of the zany Rashida Jones series Angie Tribeca, Cannavale’s large-adult-son character becomes smitten with Byrne’s Wall Street bigwig Norrah Newt. She was a bright-eyed assistant and he a sleazy political flunky in the 2014 Annie remake she the sadistic daughter of a Russian arms dealer and he a terrorist middleman in the 2015 Melissa McCarthy vehicle Spy. In the seven years they’ve been a couple, they’ve worked together five times and are about to make it two more. “We’re generally pretty private.” I know, Rose! I know! “I mean, it’s not something we do all the time, but we’re trying to go with the flow,” Byrne is telling me, cutting her eyes at Cannavale, who’s settling into the chair next to her. They are here with us this morning, for tea and breakfast in a Toronto café. They do projects together again and again and again, though they don’t do press as a couple. There are the conscious uncouplings, the cheaters, the fighters, the ones who get back together.Īnd there are Rose Byrne and Bobby Cannavale, a power pairing of talent and-if you ask anyone on the internet-duplicative hotness, all the more tantalizing for the privacy in which they shroud their relationship and how, yes, “just like us!” they can seem. ![]() There are the transcendent portmanteaus ( Brangelina, J-Rod), the industry mergers (Kim and Kanye), the legends (Jackie and JFK), the star-crossed lovers (Katharine Hepburn and Spencer Tracy), and the ones who yield whole families of fame (Will and Jada and Willow and Jaden). ![]() The cultural fascination with celebrity couples isn’t complicated they are our own relationships writ large, and sparkly. The only thing more compulsively mesmerizing than one famous person is two famous people in love.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |